By John Fuller
Valentine
The things about you I appreciate
may seem indelicate:
I’d like to find you in the shower
and chase the soap for half an hour.
I’d like to have you in my power
and see your eyes dilate.
I’d like to have your back to scour
and other parts to lubricate.
Sometimes I feel it is my fate
to chase you screaming up a tower
or make you cower
by asking you to differentiate
Nietzsche from Schopenhauer.
I’d like successfully to guess your weight
and win you at a fete.
I’d like to offer you a flower.
I like the hair upon your shoulders
falling like water over boulders.
I like the shoulders, too: they are essential.
Your collar-bones have great potential
(I’d like all your particulars in folders
marked Confidential).
I like your cheeks, I like your nose,
I like the way your lips disclose
the neat arrangement of your teeth
(half above and half beneath)
in rows.
I like your eyes, I like their fringes.
The way they focus on me gives me twinges.
Your upper arms drive me berserk
I like the way your elbows work,
on hinges.
I like your wrists, I like your glands,
I like the fingers on your hands.
I’d like to teach them how to count,
and certain things we might exchange,
something familiar for something strange.
I’d like to give you just the right amount
and give some change.
I like it when you tilt your cheek up.
I like the way you hold a teacup.
I like your legs when you unwind them,
even in trousers I don’t mind them.
I’d always know, without a recap,
where to find them.
I like the sculpture of your ears.
I like the way your profile disappears
Whenever you decide to turn and face me.
I’d like to cross two hemispheres
and have you chase me.
I’d like to smuggle you across frontiers
or sail with you at night into Tangiers.
I’d like you to embrace me.
I’d like to see you ironing your skirt
and cancelling other dates.
I’d like to button up your shirt.
I like the way your chest inflates.
I’d like to soothe you when you’re hurt
or frightened senseless by invertebrates.
I’d like you even if you were malign
and had a yen for sudden homicide.
I’d let you put insecticide
into my wine.
I’d even like you if you were the Bride
of Frankenstein
or something ghoulish out of Mamoulian’s
Jekyll and Hyde.
I’d even like you as my Julian
of Norwich or Cathleen ni Houlihan.
How melodramatic
if you were something muttering in attics
like Mrs Rochester or a student of Boolean
Mathematics.
You are the end of self-abuse.
You are the eternal feminine.
I’d like to find a good excuse
to call on you and find you in.
I’d like to put my hand beneath your chin,
and see you grin.
I’d like to taste your Charlotte Russe,
I’d like to feel my lips upon your skin,
I’d like to make you reproduce.

I’d like you in my confidence.
I’d like to be your second look.
I’d like to let you try the French Defence
and mate you with my rook.
I’d like to be your preference
and hence
I’d like to be around when you unhook.
I’d like to be your only audience,
the final name in your appointment book,
your future tense.

Sir Edmund Clerihew Bentley
Desirous of doing it gently
Flourished an inchoate sword
Penelope cried, "O My Word".

No especial favourite form, but I do like it to have a philosophical content, or some deepity in it, since that rewards the slightly higher reading effort required.

Years ago I was told that poetry is concentrated text, like rich fruit cake, while prose is like plain bread. And just as you would only take rich fruit cake in small bites, and savour it carefully, so you should take time with poetry, small bites even with a long poem. Therefore I like my bites to be filled with good things.

Loss.

In this cool green space.
Where wings of memory,
Bring in a once loved face.
Nature’s sky is all above,
And only shadows, yours to love.

I'm really enthralled with slam poetry.

Limerick
There once was a girl from Nantucket...

Poetry put to music is best.